Not to talk like

    Before the man had a chance to shut him out, Riley said, "May I come in?" He said it carefully, proud of his deep and strong voice, one which was only slightly tainted by his years in the South. He'd worked hard to keep the cracker out of his voice, feeling that he had had enough problems without the added weight of a redneck voice, but there were some things Riley did not know, and one of them was that, even though he no longer talked like a redneck, what he did talk like was a redneck straining hard not to talk like a redneck.

Gordon Eklund
"White Summer In Memphis" (1972?)