-- Raymond Chandler
"Writers In Hollywood"
Journalists, as a group, have to believe that the act of writing can bring light to darkness, help our fellow-citizens make sense of the world, and compose the first draft of history. The job, in many ways, is about converting chaos into clichés, in order to satisfy the profession’s clichés about its own importance.
It is better to be spurred to acquire scholarship because you enjoy the poetry, than to suppose that you enjoy the poetry because you have acquired the scholarship.
--T. S. Eliot
an essay on Dante (1930)
I have not found the exact source.
I had a friend in junior high—I don’t know why I was friends with him, probably because I couldn’t get anyone else to be my friend—and “Happy Days” had just come out, and he thought he was the Fonz. He thought he was the coolest guy. I remember thinking, He’s happier than I am, and it’s just because he doesn’t know any better. There’s something to be said for that kind of unfounded confidence.
Two and two continue to make four, in spite of the whine of the amateur for three, or the cry of the critic for five.
You start out playing rock and roll so you can have sex and do drugs.
But you end up doing drugs so you can still play rock and roll and have sex.
Many orthodox people speak as though it were the business of sceptics to disprove received dogmas rather than of dogmatists to prove them. This is, of course, a mistake. If I were to suggest that between the Earth and Mars there is a china teapot revolving about the sun in an elliptical orbit, nobody would be able to disprove my assertion provided I were careful to add that the teapot is too small to be revealed even by our most powerful telescopes. But if I were to go on to say that, since my assertion cannot be disproved, it is intolerable presumption on the part of human reason to doubt it, I should rightly be thought to be talking nonsense. If, however, the existence of such a teapot were affirmed in ancient books, taught as the sacred truth every Sunday, and instilled into the minds of children at school, hesitation to believe in its existence would become a mark of eccentricity and entitle the doubter to the attentions of the psychiatrist in an enlightened age or of the Inquisitor in an earlier time.
[T]here were some initial difficulties when the director first told me... that if the film was to have any semblance of reality at all there would have to be moments when other people were on-screen at the same time I was.